On Mike Judge and George Carlin as the most accurate diagnosticians of American civilizational decline, why the culture processed their work as entertainment and moved on, what the Brawndo scene actually means, and the specific curse that attends anyone who tells the truth in a room full of people w
On Boyd’s Decision Cycle, the Attention Economy’s Counter-Move, and the Technology of Intentional Awareness
On the Central Distinction of Buber's Thought and Its Immediate Consequences for the Interior Life
On the unexamined assumptions beneath scientific materialism, and why institutional science responds to their critique with censorship rather than argument
On great comedy as structured truth-delivery, the trickster as the figure who can say what the culture prohibits, why the laugh is a micro-initiation and not a response to entertainment, and what the snort, the uncomfortable chuckle, and the offended silence each reveal about the ego's relationship