The Animist in the Studio
On Nick Hexum's solo work as the most explicit engagement with the animist position in contemporary American rock, what Super Natural names that the band could not, and the natural world as primary transmission vehicle
On Nick Hexum's solo work as the most explicit engagement with the animist position in contemporary American rock, what Super Natural names that the band could not, and the natural world as primary transmission vehicle
On Boyd’s Decision Cycle, the Attention Economy’s Counter-Move, and the Technology of Intentional Awareness
On the Central Distinction of Buber's Thought and Its Immediate Consequences for the Interior Life
On the unexamined assumptions beneath scientific materialism, and why institutional science responds to their critique with censorship rather than argument
On great comedy as structured truth-delivery, the trickster as the figure who can say what the culture prohibits, why the laugh is a micro-initiation and not a response to entertainment, and what the snort, the uncomfortable chuckle, and the offended silence each reveal about the ego's relationship