The Writers
The Novel as Mystery Play
On Hermann Hesse, Franz Kafka, and Jorge Luis Borges as writers who used fiction as an initiatory form — building novels and stories that enact the reader's transformation rather than simply describing it
The Writers
On Hermann Hesse, Franz Kafka, and Jorge Luis Borges as writers who used fiction as an initiatory form — building novels and stories that enact the reader's transformation rather than simply describing it
The Films
On Hereditary, Black Swan, and Possession as psychological horror films that function as shadow work — using dread, disgust, and disintegration to produce genuine encounters with what the psyche conceals
The Writers
On Philip K. Dick's VALIS, William Burroughs's cut-up method, and Antonin Artaud as writers who received something they could not explain and built their later work around the attempt
The Films
On The Wizard of Oz, Pinocchio, and Spirited Away as films that deliver the initiatory pattern to children before the culture has built the defenses that make adult initiation so difficult
The Writers
On the act of serious writing as a theurgic practice — a technology for descending below the known self and returning with what was found — and why the blank page is an initiatory threshold
The Orphic Revival
On the return to direct mystical experience and partnership with nature as civilization's response to the collapse of dominator hierarchies